Review Essays On Movies On Earthquake

In a match between a supremely catastrophic California earthquake and the former wrestling star turned movie action hero Dwayne Johnson (a.k.a. The Rock, aptly enough here I guess, although he’s not thusly credited), who are you going to bet on? For movie purposes, the latter, of course. Since we’re all agreed on that, I suppose it spoils nothing to inform you that there’s almost nothing surprising about “San Andreas.”

Kind of noteworthy, if not actually remarkable, then, is that the movie actually works as well as it does, offering up suspense set pieces that are genuinely suspenseful despite one’s security that everyone in the top-billed cast that we’re supposed to care about will be okay. The direction by Brad Peyton is particularly effective during the brisk scenes of disaster, from the felling of Hoover Dam to the snapping of the Golden Gate Bridge. I’m not sure whether it was the editing or my own willing suspension of disbelief but the CGI-manufactured scenes of mass destruction are among the most realistic in this mode I’ve ever seen.


Spectacles of disaster have been a staple of movies ever since they began, so I’m not one to complain about them, or to snicker at the supposed irony of Hollywood so blithely exploiting a potential reality (for all I know, the data spouted by a seismologist played by Paul Giamatti in the film’s early scenes could be 100 percent true, and California is in fact overdue to tumble into the sea) for our entertainment value. The personal story attached to this earthquake saga has Johnson’s Ray Gaines, an uber-competent (of course) helicopter rescue dude, saving both his estranged wife and their college bound daughter from the tectonic destruction. Think “Earthquake” meets “Towering Inferno” meets “Die Hard,” but a lot more streamlined. Ray’s wife, Emma (Carla Gugino) has taken up with another fella, extremely rich architect Daniel (Ioan Gruffud), the latter of whom is escorting daughter Blake (Alexandra Daddario) to San Francisco. Plot logic dictates that one of these characters turns out to be a weasel, and the one you expect is the weasel indeed, and to top it off he’s got a really bitchy sister too. While disaster movies of past eras let the viewer build up a nice head of disdain for their weasely characters before suitably dispensing with them, “San Andreas” is both too fleetly action-packed and too damn nice to provide many hisses. Instead, the movie compels Johnson and Gugino to play dodge-em with falling buildings via chopper, mediate some super-size potholes in a four-by-four, do some impromptu sky-diving when there’s suddenly no viable airport runway to land a small plane on, and much, much more.

In the meantime, her-father’s-daughter survivalist Blake, with two young British fellows who seem to have been outsourced from a discarded Richard Curtis script, navigates the city by the bay, which the earthquake has turned into a kind of anti-funhouse: moving sidewalks, falling power lines, and shooting flames all dodge their tracks. And this is even before the tsunamis come into play. How will Ray and Emma find their girl, and will finding their girl help them resolve the tragedy in their backstory that drove them apart to begin with? As I mentioned earlier, there are really no surprises here. But the action is bracing, Johnson’s performance is solid and, within its extremely narrow parameters, entirely convincing, and Gugino and Daddario are both gritty and attractive. The result is a pretty exemplary popcorn movie.

Reveal Commentscomments powered by

Earthquake is a 1974 American ensemble disaster film directed and produced by Mark Robson.[3] The plot concerns the struggle for survival after a catastrophic earthquake destroys most of the city of Los Angeles, California.

Directed by Mark Robson and with a screenplay by George Fox and Mario Puzo, the film starred a large cast of well-known actors, including Charlton Heston, Ava Gardner, George Kennedy, Lorne Greene, Geneviève Bujold, Richard Roundtree, Marjoe Gortner, Barry Sullivan, Lloyd Nolan, Victoria Principal, and (under an alias) Walter Matthau. It is notable for the use of an innovative sound effect called Sensurround which created the sense of actually experiencing an earthquake in theatres.


Early one morning, an earthquake jolts the Los Angeles metro area. On his way to work, former USC football player Stewart Graff, having just fought with his wife Remy, visits Denise Marshall, an actress who is the widow of one of his friends and co-workers. He drops off an autographed football for her son Corry and helps Denise rehearse her lines for a scene she is shooting later that day.

At the California Seismological Institute, staffer Walter Russell has calculated that Los Angeles will suffer a major earthquake in the next day or two. He frantically tries to reach his superior, Dr. Frank Adams. Another tremor hits as Adams and his assistant are working in a deep trench and they are buried alive. The scientists at the center argue about whether or not to go public with their prediction of a major quake. The acting supervisor insists that if they are wrong their funding will be jeopardized. They agree on a compromise to alert the National Guard and police so that they can at least mobilize to help deal with the fallout.

While checking out at a grocery store, Rosa Amici realizes she does not have enough money to pay for all her items, but Jody Joad, the store manager, says she can pay the difference next time. Joad learns his Guard unit is being called up on the radio, so he leaves work to change into his NCO uniform. At home, his housemates harass and tease him for having posters of male bodybuilders on his wall.

The tremor cancelled Denise's shoot, so she heads to Stewart's office, pretending to meet with a friend. The pair go back to Denise's house for drinks and end up making love. He promises to come back later that night and invites her and Corry to spend the summer with him in Oregon while he oversees a project. Returning to work, his boss and father in-law Sam Royce offers to hand over the company presidency to Stewart. After asking for time to think about it, Stewart calls Denise and breaks off their plans for later that night. He goes to Sam's office to accept his offer but is stunned to see Remy there. He assumes she has convinced her father, Sam, to offer the promotion to Stewart in order to save their marriage. Stewart storms out of the building, followed by Remy, when a major earthquake measuring 9.9 on the Richter Scale strikes, destroying much of Los Angeles and killing thousands.

Sam and most of his employees find themselves trapped on the upper floors of their 30-story skyscraper. They descend most of the way by the stairs, but the earthquake has collapsed part of the stairwell. Sam rigs a fire hose to a chair and lowers his staff down one at a time. Before he can descend himself, Sam suffers a heart attack, and Stewart climbs up to rescue him. Denise's son, meanwhile, has been caught on a bridge over a spillway, which has become entangled with high voltage electric cables. Denise finds him unconscious on the concrete and climbs down to save him. Unable to climb back out with her son, she hails a passing truck, driven by stuntman Miles Quade and his partner, Sal Amici. After saving Denise and her son, they drive in search of help, coming across LAPD Sgt. Lou Slade, who is organizing rescue efforts and commandeers their truck to use it as an ambulance.

Rosa is arrested for looting by a National Guard unit led by Jody Joad. Rosa assumes Jody is going to let her go, but he orders her to stay inside a secluded store for safety. Another group of troops arrive with Jody's housemates as prisoners. Jody executes them in an act of revenge for all the ridicule he has endured from them, terrifying Rosa and his subordinates.

Stewart escorts his co-workers to the Wilson Plaza shopping center, now converted into a triage center, then goes off in search of Denise and her son. Soon after, Sam dies from his heart attack. Stewart ends up driving Lou around in search of survivors and they come across Jody and his regiment. Jody threatens to fire on them if they come any closer. Rosa emerges from the store, screaming and begging for help. Lou and Stewart drive away, but stop out of sight. Lou sneaks back and gets the jump on Jody, shooting Jody in self-defense and rescuing Rosa.

As they drive away, they hear that another aftershock has destroyed Wilson Plaza. Surveying the damaged building, Stewart realizes there are survivors trapped in an underground garage three stories below ground. He and Lou crawl into the sewer and, using a jackhammer, drill through to the garage. Stewart is overjoyed to find Denise, who is one of the people trapped inside. As he hugs her, he sees his wife Remy standing just behind her.

The Mulholland Dam, damaged by the earlier tremor, finally gives way, flooding the sewers. Lou and Denise make it up the ladder to safety, but as Remy climbs out, a man steps on the rung she's holding and she falls back into the flooded sewer. Stewart looks up at Denise, but he cannot bring himself to abandon his wife to death. He sacrifices himself when he swims after her and both of them are swept away, along with others. Denise walks away from the manhole in shock and grief.

Dr. Vance (Lloyd Nolan) turns to Slade, and says: "This used to be a hell of a town officer." "Yeah," replies Slade, as tears well up in his eyes. Meanwhile, the remaining survivors take in the devastated Los Angeles cityscape.





In the wake of the tremendous success of the 1970 disaster-suspense film Airport, Universal Studios began working with executive producer Jennings Lang to come up with a new idea that would work within the same "disaster-suspense" genre. Inspiration came in the form of the San Fernando earthquake of February 1971.[5] Director Mark Robson and Lang were intrigued by the idea of creating a disaster on film that would not be confined to an airliner, but rather take place over a large area. Producer Bernard Donnenfeld helped produce the film, but was uncredited.[6]

Budgeted at $7,000,000, Earthquake found itself in a race against the clock with the bigger-budgeted disaster film, The Towering Inferno, which was being produced by Irwin Allen (The Poseidon Adventure) and financed by two studios (20th Century Fox and Warner Bros., a motion picture first).


Lang scored a coup when he was able to sign on screenwriter Mario Puzo to pen the first draft during the summer of 1972. Puzo, fresh from the success of his novel and film, The Godfather, delivered the draft script in August. Much like his The Godfather films, the characters and situations in his Earthquake script were intricate, and showed a similar attention to detail. However, Puzo's detailed script necessitated a much larger production budget (as the action and characters were spread over a vast geographical area in Los Angeles), and Universal was faced with either cutting the script down, or increasing the film's projected budget. Puzo's involvement with Earthquake was short-lived, however, as Paramount Pictures was anxious to begin development with the followup to The Godfather, The Godfather Part II. Since Puzo's services were contractually obligated to the sequel, he felt he would be unable to continue work on two projects of such a large scale, so he opted out of continuing any further work on Earthquake.

The Earthquake script languished at Universal Studios for a short period of time, but was brought back to life by the huge success of the 20th Century Fox hit, The Poseidon Adventure, released in December 1972. Fueled by that film's enormous box office receipts, Universal Studios put pre-production on Earthquake back into high gear, hiring writer George Fox to continue work with Puzo's first draft. Fox was principally a magazine writer and had never written a screenplay before, so director Mark Robson worked with him to narrow the scope of the script down to fit into the budgetary constraints. After eleven drafts, Earthquake went before the cameras in February 1974.[6]


While The Towering Inferno featured a larger "all star" cast,[a] Universal was able to land Charlton Heston in the lead role. Rounding out the top billing were Ava Gardner, George Kennedy, Lorne Greene, and Geneviève Bujold. The cast also includes Richard Roundtree (riding a wave of success from the Shaft film series), former evangelical Marjoe Gortner as an antagonist, and newcomer Victoria Principal.

Walter Matthau was cast in a cameo role, for which he was credited as "Walter Matuschanskayasky".[b]

Set Design[edit]

Production necessitated the simulated destruction of the Universal Studios backlot in order to simulate the catastrophic earthquake of the title. Along with a clever use of miniatures of actual buildings, matte paintings, and full-scale sets (some of which were placed on rollers for a shaking effect), Earthquake used a new technique developed especially for the film: a "shaker mount" camera system which mimicked the effects of an earthquake by moving the entire camera body several inches side to side. [8] This camera mount was used for most exterior scenes, or other instances where shooting on location.


Extensive use of highly trained stunt artists for the most dangerous scenes involving high falls, dodging falling debris, and flood sequences, set a Hollywood record for the most stunt artists involved in any film production up until that time: 141.[9] Major stunt sequences in the film required careful choreography between the stunt artists and behind-the-scenes stunt technicians who were responsible for triggering full-scale effects, such as falling debris. Timing was critical, since some rigged effects involved dropping six ton chunks of reinforced concrete in order to flatten cars, with stunt performers only a few feet away. In other scenarios, some stunt artists were required to fall sixty feet onto large air bags from the rafters of Universal's largest stage (Stage 12) – for which they were paid the sum of $500.[10] While every precaution was taken to prevent injuries, several did occur during filming. One stunt person suffered a concussion during the flood sequence (the accident was used in the film), and several stunt artists were injured during the elevator crash scene.

Sound effects[edit]

Universal Studios and Jennings Lang wanted Earthquake to be an "event film", something that would draw audiences into the theatre multiple times. After several ideas were tossed about (which included bouncing styrofoam faux "debris" over audience members' heads), Universal's sound department came up with a process called "Sensurround" – a series of large speakers made by Cerwin-Vega powered by BGW amplifiers, that would pump in sub-audible "infra bass" sound waves at 120 decibels (equivalent to a jet airplane at takeoff), giving the viewer the sensation of an earthquake. The process was tested in several theatres around the United States prior to the film's release, yielding various results. A famous example is Grauman's Chinese Theatre in Hollywood, California, where the "Sensurround" cracked the plaster in the ceiling. The same theatre premiered Earthquake three months later – with a newly installed net over the audience to catch any falling debris – to tremendous success.[11]

The "Sensurround" process proved to be a large audience draw, but not without generating a fair share of controversy. When the film premiered in Chicago, Illinois, the head of the building and safety department demanded the system be turned down, as he was afraid it would cause structural damage. In Billings, Montana, a knick-knack shop next door to a theatre using the system lost part of its inventory when items from several shelves were thrown to the floor when the system was cued during the quake scenes.[citation needed]

Sensurround was used again for the films Midway (1976), Rollercoaster (1977) and Battlestar Galactica (1979).[12]

The 2006 Universal Studios Home Entertainment DVD release features the original "Sensurround" 3.1 audio track, duplicating the original theatrical "Sensurround" track (but oddly in mono directed to the front 3 speakers rather than the original stereo mix), but sadly no actual 'rumble' generator was used and it's only the two control tones that activated the generator that can be heard. In addition, the film's original soundtrack was remixed in Surround Sound 5.1 which was simply a tag as once again only the control tones feature on the track.


John Williams' music for Earthquake was the second of his trio of scores for large-scale disaster films, having previously scored The Poseidon Adventure and following with The Towering Inferno.[13] Williams scored both Earthquake and The Towering Inferno in the summer of 1974, both scores showing similarities to one another (notably Earthquake's theme and The Towering Inferno's love theme sharing the same eight-note melody). The music of the song "C'est si Bon" by Henri Betti is played on the guitar in the middle of the film.

Pretests and re-edits[edit]

After October test screenings, Universal opted to cut 30 minutes from the film, notably from the pre-quake sequences, at the cost of some of the dramatic flow. This included a narration sequence about the San Andreas fault and an impending catastrophic earthquake that would occur in either Los Angeles or San Francisco. This scene was filmed and was set to be shown before the opening title credits, and although it was removed at the last minute, it was eventually included as the opening sequence of the NBC television edit for the 1976 broadcast premiere. Also excised were lengthy scenes of Remy (Gardner) and Stewart (Heston) arguing at the beginning of the film. After Remy's fake suicide, Dr. Vance (Lloyd Nolan) arrives at the Graff home, and begins to talk with Stewart (an old friend). Dr. Vance inadvertently informs Stewart that Remy had an abortion two years prior (he was told it was a miscarriage). Remy appears and they fight because Stewart wanted the baby and Remy did not. Stewart storms off. This explains why Stewart resents Remy so much. (In the final cut of the film, they just seem angry at one another.) There was more of Slade leaving the police station and footage of Rosa leaving the market was shot as well. She was filmed waiting for a bus, and being offered a lift from a man on a motorcycle (this footage was eventually used in the film's television cut). Just before the earthquake, Stewart and Remy had a final fight (in front of Stewart's car) which was deleted as well. During the earthquake, there was a scene of a nearby lumberyard falling apart, and this was removed from the final cut.

The elevator scenes, some of the film's most infamous shots, were severely altered from their original scenes. Originally, the occupants ended up pressed to the ceiling of the elevator and dropped to the floor when the elevator crashed to the bottom of the shaft. This scene - shown in all test screening prints - was considered too graphic for a film intended to have a PG rating.[citation needed] Universal decided to cut this portion of the sequence and replace it with a frame of the people on the elevator's floor, with the notorious 'cartoon blood' rushing into the camera.[citation needed]

Other deleted scenes were shot to wrap up many characters' stories after the earthquake. Walt Russell and Dr. Stockle – whose fates are undetermined after the quake in the theatrical release – were shown alive in the seismology laboratory post-quake. They were shown finding the earthquake's magnitude to be 9.9 on the Richter scale. The film's final scene originally had Denise asking Lew Slade if Stewart had survived; upon hearing of his death, she walks over to Corry who has regained consciousness.


Released in the United States on November 15, 1974, Earthquake would become the third highest-grossing film of the year; its competition, The Towering Inferno, was the highest.[14]

Box office[edit]

The disaster film trend reached a zenith in 1974 with the combined releases of Airport 1975 (the first Airport sequel), Earthquake and The Towering Inferno. The films enjoyed staggering success, with The Towering Inferno earning $55 million in rentals, Earthquake earning $36 million and Airport 1975 earning $25 million.[15] By 1976, the disaster film cycle had also left its mark on the list of all-time box office champions, with The Towering Inferno ranking 8th, Airport 14th, The Poseidon Adventure 16th and Earthquake 20th.[15] These successes ensured the flood of similar films throughout the decade.

Earthquake eventually grossed nearly $80,000,000 ($349,858,800 adjusted for inflation in 2015 dollars).[16]

Critical response[edit]

At its release, critics generally acknowledged the special effects in Earthquake while discounting other aspects. Without either panning or praising the film, Nora Sayre of the New York Times wrote that it was an improvement on Airport '75 and observed, "The impulse to shout advice to the screen—get out! go away! don't enter that building—is quite powerful, so this does rank as a participatory movie."[17]Judith Crist wrote in New York Magazine that "the nonsense is bearable for the spectacle. And ... here we have a feast of feats of destruction."[4]Pauline Kael said of it, "The picture is swill, but it isn't a cheat; it's an entertaining marathon of Grade-A destruction effects".[18]

The review aggregator website Rotten Tomatoes collected reviews from 23 critics, some contemporary with the film and some from subsequent years, to give the film a score of 35% with an average of 4.7 out of 10.[19]Leonard Maltin gave the film a "BOMB" rating, stating "[the] title tells the story in hackneyed disaster epic ... Marjoe as a sex deviate and Gardner as Lorne Greene's daughter tie for film's top casting honors."[20] Gardner was only 8 years younger than Lorne Greene.


Earthquake was nominated for four Academy Awards including Best Film Editing, Best Cinematography, Best Art Direction (Art Direction: Alexander Golitzen and E. Preston Ames; Set Decoration: Frank R. McKelvy) and Best Sound (Ronald Pierce and Melvin Metcalfe, Sr.). It won for Best Sound (Ronald Pierce and Melvin Metcalfe, Sr.) and a Special Achievement Academy Awardfor Visual Effects (Frank Brendel, Glen Robinson and Albert Whitlock).[21][22][dead link]

The film was also nominated for two Golden Globe Awards including Best Motion Picture – Drama and Best Original Score (John Williams).[23]

The film is recognized by American Film Institute in these lists:

Television version[edit]

For the film's September, 1976 television premiere on NBC, additional footage was added to expand the film's running time so it could be shown over two nights.[25][dubious– discuss] This "television version" made no use of material left out of the theatrical release[citation needed] (save one brief scene featuring Victoria Principal and Reb Brown), but rather incorporated new footage filmed nearly two years after the original using two of the original film's stars, Marjoe Gortner and Victoria Principal, as well as Jesse Vint and Michael Richardson (reprising their film roles of Marjoe Gortner's taunting room mates), expanding on the original storyline from the theatrical film. Editing and re-recorded dialogue helped integrate this expansion into the original film. An entirely new storyline shot specifically for the television version was that of a young married couple (Debralee Scott and Sam Chew) flying to Los Angeles on an airplane. The husband seeks a job with the Royce Construction company of the film (in fact, hoping to work with Charlton Heston's character, Stewart Graff), while his wife has the eerily accurate ability to see the future with cards. Their airliner attempts to land at Los Angeles International Airport as the titular earthquake hits,[26][dead link] and the airliner makes a touch and go landing on a runway that is breaking up, diverting to San Francisco. Throughout the remainder of the television version, the film cuts back to the couple as they discuss their future together, and the husband's wish to return to Los Angeles and help rebuild the city.

The "Sensurround" audio of the original film was simulcast in FM stereo in the Los Angeles and New York markets. This theoretically allowed the home viewer with the properly equipped sound system to experience a similar effect as in the theater.

Theme park attractions[edit]

Main article: Earthquake: The Big One

Earthquake inspired the attractions Earthquake: The Big One at Universal Studios Florida and Hollywood.

The Hollywood attraction opened in March 1989 as part of the Studio Tour tram ride. The tram enters a sound stage, the interior designed to look like a San Francisco underground BART station, whereupon a two-and-a-half-minute simulation of an 8.3 earthquake takes place, featuring a trolley car falling into the station, a runaway train and a flood.[27][c]

The Florida attraction opened in June 1990. It began with an introductory film on the making of Earthquake with Charlton Heston appearing to explain the special effects, followed by a live demonstration based on the film with audience participation. The attraction culminated in a simulated 8.3 earthquake aboard an underground train at Embarcadero Station in San Francisco.[28][dead link] In the fall of 2002, the pre-show was changed to a more generic "magic of making movies" theme, with slight modifications which included mentioning special effects used in other films besides Earthquake. The Florida attraction officially closed on November 5, 2007, and reopened several months later as "Disaster!: A Major Motion Picture Ride...Starring You!."[27]


Many scenes from the film, especially those featuring the destruction of Los Angeles, have appeared in other productions, often those of Universal Studios itself. Some examples include:

  • Damnation Alley: In this 1977 film, the earth shifts from its axis after a full-scale nuclear war. Flood scenes from the dam burst in Earthquake are used to help depict the earth returning to its correct axis.[citation needed]
  • Quantum Leap: The episode "Disco Inferno" has Sam Beckett leaped in as a film stuntman. One of his jobs is on the set of Earthquake, where he is the character seen hanging from a piece of debris whom Sam Royce (Lorne Greene's character) attempts to save, but Beckett loses his grip and falls.[clarification needed]
  • Galactica 1980: In the episode "Galactica Discovers Earth", in a "computer simulation" of a devastating Cylon attack on Los Angeles, which was in turn shown in the Tom Petty music video for the song "You Got Lucky".[citation needed]
  • V: The Final Battle: Footage from the sequence featuring the collapse of the Hollywood dam was reused during the destruction of the Visitors water pumping station.[citation needed]
  • Barenaked Ladies music video for "Another Postcard": Parts of the film, namely when the big earthquake struck, were used.[citation needed]
  • The Incredible Hulk: In the first season episode "Earthquakes Happen", several building collapse scenes, the collapsing freeway overpass scene, the collapsing Spanish bells, the sliding and falling stilt houses, and the collapsing high tension wires and parts of the wooden foot bridge scenes were reused with slightly zoomed or slightly reoriented focus to minimize association with Earthquake.[citation needed]
  • Scarface has a scene where Tony Montana is going to buy cocaine from some drug dealers, and the TV set in the motel room shows the scene in this film where the graduate assistant is explaining his earthquake theory to the director of the Seismology Institute.[citation needed]


See also[edit]


  1. ^
  2. ^"Earthquake". Box Office Mojo. Retrieved 2012-01-17. 
  3. ^"Earthquake". Turner Classic Movies. Retrieved March 1, 2016. 
  4. ^ abCrist, Judith (December 2, 1974). "Snap, Crackle, Pop". New York Magazine. 7 (48): 79. ISSN 0028-7369. 
  5. ^Davis, Mike (2014). Ecology of Fear: Los Angeles and the Imagination of Disaster. Henry Holt. p. 344. ISBN 978-1-4668-6284-5. 
  6. ^ abWorsley, Wally; Worsley, Sue Dwiggins (1997). From Oz to E.T.: Wally Worsley's Half-century in Hollywood. Scarecrow Press. pp. 127–128. ISBN 978-0-8108-3277-0. 
  7. ^Mikkelson, Barbara and David (October 19, 2005). "Walter Matthau". Snopes. Retrieved 2015-02-07. 
  8. ^Turnock, Julie A. (2014). Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics. Columbia University Press. pp. 78–79. ISBN 978-0-231-53527-4. 
  9. ^Casper, Drew (2011). Hollywood Film 1963–1976: Years of Revolution and Reaction. Wiley & Sons. p. 66. ISBN 978-1-4443-9523-5. 
  10. ^"Earthquake Behind the Scenes". Retrieved 2007-11-17. 
  11. ^"Internet Movie Database, Trivia for Earthquake". IMDb. Retrieved 2007-11-17. 
  12. ^"Film Sound History 70s". Archived from the original on 2015-02-07. Retrieved 2015-02-07. 
  13. ^"Internet Movie Database, John Williams". IMDb. Retrieved 2007-11-18. 
  14. ^Cook, David A. (2002). Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970–1979. University of California Press. pp. 252–253. ISBN 978-0-520-23265-5. 
  15. ^ abWallechinsky, David (1977). The Book of Lists. Bantam Books. p. 197. ISBN 0-553-12400-5. 
  16. ^"All Time Box Office Adjusted for Ticket Price". Box Office Mojo. Retrieved 2015-02-07. 
  17. ^Sayre, Nora (November 16, 1974). "Movie review: Earthquake (1974)". Retrieved 2015-02-07. 
  18. ^Kael, Pauline (1991). 5001 Nights at the Movies. Henry Holt. p. 209. ISBN 978-0-8050-1367-2. 
  19. ^"Earthquake (1974)". Rotten Tomatoes. Retrieved 2015-02-07. 
  20. ^Maltin, Leonard (2014). Leonard Maltin's 2015 Movie Guide. Penguin Group US. p. 684. ISBN 978-0-142-18176-8. 
  21. ^"The 47th Academy Awards Memorable Moments". Retrieved 2015-02-07. 
  22. ^"Movies: Earthquake (1974) – Cast, Credits & Awards". The New York Times. Retrieved 2008-12-29. 
  23. ^"Internet Movie Database, Awards for Earthquake". IMDb. Retrieved 2007-11-17. 
  24. ^"AFI's 100 Years...100 Thrills Nominees"(PDF). Retrieved 2016-08-20. 
  25. ^"On the Celluloid Chopping Block: EARTHQUAKE (1974)". Video Junkie. Retrieved August 13, 2012. 
  26. ^"Earthquake The Television Version". Retrieved 2007-11-17. 
  27. ^ abcGennawey, Sam (2014). Universal versus Disney: The Unofficial Guide to American Theme Parks' Greatest Rivalry. Keen Communications. pp. 104–105; 227. ISBN 978-1-62809-014-7. 
  28. ^Miller, Laura Lea (2008). Walt Disney World & Orlando For Dummies 2008. Wiley & Sons. p. 271. ISBN 978-0-470-24911-6. 

External links[edit]

The simulated collapse of Mulholland Dam – and the subsequent deluge – forms the film's climax.
  1. ^Universal had approached Steve McQueen and Paul Newman, to star in Earthquake, but they had already been signed for The Towering Inferno.[citation needed]
  2. ^Matthau himself invented the name "Matuschanskayasky" as well as the fiction that it was his birth name.[7]
  3. ^The San Francisco and BART setting was owed to the reputed setting of the Earthquake sequel that never materialized.[27]
Categories: 1

0 Replies to “Review Essays On Movies On Earthquake”

Leave a comment

L'indirizzo email non verrà pubblicato. I campi obbligatori sono contrassegnati *