The Narrator in The Tell-Tale Heart
- Length: 883 words (2.5 double-spaced pages)
- Rating: Excellent
The Narrator in The Tell-Tale Heart
Through the first person narrator, Edgar Allan Poe's "The Tell-Tale Heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. The manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. The narrator takes care of an old man with whom the relationship is unclear, although the narrator's comment of "For his gold I had no desire" (Poe 34) lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, "I loved the old man. He had never wronged me. He had never given me insult" (34). The narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.
The fixation on the old man's vulture-like eye forces the narrator to concoct a plan to eliminate the old man. The narrator confesses the sole reason for killing the old man is his eye: "Whenever it fell upon me, my blood ran cold; and so by degrees - very gradually - I made up my mind to rid myself of the eye for ever" (34). The narrator begins his tale of betrayal by trying to convince the reader he is not insane, but the reader quickly surmises the narrator indeed is out of control. The fact that the old man's eye is the only motivation to murder proves the narrator is so mentally unstable that he must search for justification to kill. In his mind, he rationalizes murder with his own unreasonable fear of the eye.
The narrator wrestles with conflicting feelings of responsibility to the old man and feelings of ridding his life of the man's "Evil Eye" (34). Although afflicted with overriding fear and derangement, the narrator still acts with quasi-allegiance toward the old man; however, his kindness may stem more from protecting himself from suspicion of watching the old man every night than from genuine compassion for the old man.
How to Cite this Page
| Essay about Subjective Narrator: The Tell Tale Heart by Edgar A. Poe - The narrator in The Tell-Tale Heart uses a simple language to tell a simple story, which convinces the reader that he is indeed mad. In an ideal situation, one would expect the narrator to protest about his innocence to detach his conscience from the heinous crime. However, the narrator tries to seek empathy from the reader through his protestations that diverts the reader’s attention from the crime to start wondering about his insanity. As the monologue progress, the reader is confused whether the narrator is indeed putting up a show or he is indeed mad because he too does not seem to be totally convinced that he indeed insane.... [tags: sanity, narrator, antagonist]|
:: 1 Works Cited
| Analysis of the Narrator in The Tell Tale Heart Essay - Edgar Allan Poe’s short story, “The Tell Tale Heart” depicts a narrator who observes a man and kills him. The narrator dismembers the old man after killing him and decides to hide it under the floorboards; he has no motive except for his pale blue eye. Police soon arrive and the narrator takes them on a tour of the house to prove that he is innocent. The narrator decides to take the policemen to where he kills the old man, in order to make it look like there was no harm done. The police men do not suspect anything, but the narrator then hears the man’s heartbeat and confesses.... [tags: Edgar Allan Poe, short stories]|
:: 10 Works Cited
| Poe, The Narrator and Literary Criticism in Poe’s The Tell-Tale Heart Essay - Edgar Allen Poe has explored three different themes: His own life, the nameless narrator of “The Tell-Tale Heart”, and the literary criticism on “The Tell-Tale Heart.” The Tell-Tale Heart, is a story, although, not revealed, about father-son incest (Kachur). Throughout the story, the old man was the “eye”, or “vulture’s eye” as the narrator calls it. The “eye” is what kept the narrator unnerved, and was the main reason that drove him to kill the man (Madi and Shadi). In the beginning of the story, the narrator said, “I loved the old man.... [tags: anxiety, visitor, fear]|
:: 10 Works Cited
|Essay about Sanity of the Narrator in The Tell Tale Heart by Edgar Allan Poe - Sanity of the Narrator in The Tell Tale Heart by Edgar Allan Poe In Edgar Allen Poe's "The Tell-Tale Heart" we question the sanity of the narrator almost immediately, but we cannot prove either way whether or not he is insane. I have read a lot of Poe's work although not all of it. His mysterious style of writing greatly appeals to me. Poe has an uncanny talent for exposing our common nightmares and the hysteria lurking beneath our carefully structured lives. I believe, for the most part, that this is done through his use of setting and his narrative style.... [tags: Papers]||769 words|
| Essay on The Tell Tale Heart by Edgar Allen Poe - Edgar Allen Poe once said, “Words have no power to impress the mind without the exquisite horror of their reality.” There have been so many breathtaking stories, but none of them has influenced literature the way The Tell Tale Heart did. The Tell Tale Heart is a short story published in 1843, and written by Edgar Allen Poe. Edgar Allen Poe was born in Boston in 1809. He was the son of impoverishes actor Elizabeth and David Allen Poe. He became an orphan at the age of three whereby he lost his father by desertion and his mother to tuberculosis.... [tags: horror, narrator, insanity]|
:: 4 Works Cited
| The Tell-Tale Heart and the Similarities With Edgar Allen Poe Essay - Who came first. The mentally-ill person, or the man who only wrote about them. Edgar Allan Poe truly experienced the bittersweet symphony with being a writer of his caliber; he wrote with such proficiency that he often would become unable to escape the dark world, filled with the aspects of gothic literature, in which he created. He also faced numerous obstacles throughout his lifespan, which seemed to plague him by always returning right after the previous issue have been resolved. From poverty, moving around constantly, and his wife’s sporadic slowly declining health, to never being recognized as the gifted writer he truly was; Poe’s problems never seemed to disappear (Bain and Flora, 368)... [tags: Author and Narrator, Mental Illness]|
:: 5 Works Cited
| Essay about Edgar Allan Poe's The Tell-Tale Heart - Edgar Allen Poe has explored three different themes: His own life, the nameless narrator of “The Tell-Tale Heart”, and the literary criticism on “The Tell-Tale Heart.” Edgar Allen Poe began his life in Boston, MA on the 19th of January in the year 1809 (Kennedy). He was the 2nd son of David Poe, Jr., a famous actor, and the actress known as Elizabeth Arnold Hopkins Poe. David, his father, deserted his family a year after Poe was born, and died the following year, in December (Kennedy). Since his father left, David’s oldest son, Henry was left with some relatives that resided in Baltimore.... [tags: the narrator and literary criticism]|
:: 10 Works Cited
|The Tell-Tale Heart and The Cask of Amontillado by Edgar Allen Poe Essay - The Tell-Tale Heart and The Cask of Amontillado are two stories written by Edgar Allen Poe in the 18th century. Both of these stories are primarily focused on the mysterious and dark ways of the narrator. Since these stories were written by the same author, they tend to have several similarities such as the mood and narrative, but they also have a few differences. For instance, the characteristics of both narrators are different, but both stories portray the same idea of the narrator being obsessive over a certain thing.... [tags: mysterious, crime, narrator]||555 words|
| Essay on Symbolism and Irony in The Tell-Tale Heart - Symbolism and Irony in The Tell-Tale Heart In Edgar Allan Poe's short story "The Tell-Tale Heart," the author combines vivid symbolism with subtle irony. Although the story runs only four pages, within those few pages many examples of symbolism and irony abound. In short, the symbolism and irony lead to an enormously improved story as compared to a story with the same plot but with these two elements missing. "The Tell-Tale Heart" consists of a monologue in which the murderer of an old man protests his insanity rather than his guilt: "You fancy me mad.... [tags: Tell-Tale Heart Essays]|
:: 10 Works Cited
|Symbolism in Edgar Allen Poe's The Tell-Tale Heart Essay - Symbolism in Edgar Allen Poe's The Tell-Tale Heart In Poe's "The Tell-Tale Heart", the narrator claims that he is not "mad" but his behavior tells a different story. He is truly determined to destroy another male human being, not because of jealousy or animosity but because "one of his eyes resembled that of a vulture- a pale blue eye, with a film over it" (1206). The narrator sees the man with this ghastly eye as a threat to his well being, but it is he who is a menace to his own being. He kills the man with pride only to concede to his horrific crime due to his guilt-ridden heart.... [tags: Poe Tell Tale Heart]||855 words|
Tell-tale Heart Narrator Edgar Allan Evil Eye First Person Internal Conflict Degrees Caring
The narrator shows his contrariety when he confesses he loves the old man, but he is still too overwhelmed by the pale blue eye to restrain himself from the all-consuming desire to eliminate the eye. His struggle is evident as he waits to kill the old man in his sleep so that he won't have to face the old man when he kills him; but on the other hand, the narrator can't justify the killing unless the vulture eye was open. The narrator is finally able to kill the man because "I saw it with perfect distinctness - all a dull blue, with a hideous veil over it that chilled the very marrow in my bones; but I could see nothing else of the old man's face or person: for I had directed the ray as if by instinct, precisely upon the damned spot" (35).
The mission of the narrator begins with meticulous planning and confidence, but ultimately his guilty conscience creates his downfall. For seven days, the narrator watches the old man while he sleeps and he even "chuckled at the idea" that the old man knows nothing of the narrator's "secret deeds or thoughts" (35). The narrator's comments show his confidence and audacity, even pride, in his plan to kill: "Never before that night had I felt the extent of my own powers - of my sagacity. I could scarcely contain my feelings of triumph" (34-35). The narrator's assurance in his evil deed continued even when the police came to check on the old man and investigate the loud noises neighbors heard the night before: "I smiled,-for what had I to fear? I bade the gentlemen welcome" (36). However, the narrator's mind is quickly consumed with guilt, which creates his delusion of hearing the old man's heartbeat taunting him from under the flooring. His paranoia makes the heart beat "louder - louder - louder!" and in his state of delirium he confesses to killing the old man in hopes of ridding his life of the menacing heartbeat: "I felt that I must scream or die! - and now [...]" (37).
The narrator sets out to rid his life of the fear he created by obsessing over the man's eye, but once that fear is destroyed, another fear - that of the heartbeat - is created and becomes more overwhelming than the first. In playing mind games with himself - seeing how far he can push himself to triumph over his own insanity - the narrator slips further into a fantasy world. His overriding confidence in killing the man ultimately turns into overriding guilt even as he justifies in his mind the savage killing, chopping up the body and placing it under the floorboards. The narrator's imagination creates his need and plan to destroy the eye, but it then creates the need to save himself from the heartbeat that drives him over the edge.
Poe, Edgar Allan. "The Tell-Tale Heart." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 33-37.
There are two physical settings in Edgar Allan Poe’s “The Tell-Tale Heart”: the house the narrator shares with the old man where the murder takes place and the location from which the narrator tells his story, presumably a prison or an asylum for the criminally insane. However, the most important setting for the story is within the obsessed mind of the narrator. The old man is hardly more than the evil eye that so infuriates the narrator, the source of his mysterious obsession.
The central question on which the story depends is, why does the narrator kill the old man? He says he has no personal animosity toward him, that he does not want his money, that the old man has not injured him in any way. In fact, he says he loves the old man. The only reason he can give is the evilness of the old man’s eye. Although some critics have suggested that the eye is the “evil eye” of superstition, which the narrator feels threatens him, there is no way to understand his motivation except to say the narrator must be mad. Still, the reader feels compelled to try to understand the method and meaning of the madness. For Poe, there is no meaningless madness in a short story.
The key to understanding the mysterious motivation in the story is Poe’s concept of a central idea or effect around which everything else coheres, like an obsession that can be identified on the principle of repetition. Thus, if the reader is alert to repetitions in the story, these repeated themes become the clues to the mystery. Determining motifs foregrounded by repetition helps the reader distinguish between details that are relevant to the central theme and those that merely provide an illusion of reality. Poe, the creator of the detective story, was well aware of the importance of discovering all those details that matter in a case and then constructing a theory based on their relationship to each other
To understand what the eye means in the story, the reader must take Poe’s advice in his essays and reviews on short fiction and determine how all the various details in the story seem bound together to create one unified theme and effect. In addition to the details about the eye, there are two other sets of details repeated throughout the story: the narrator’s identification with the old man and the idea of time. When the narrator sticks his head in the old man’s chamber at night and hears him groan, he says he knows what he is feeling, for he himself has felt the same terror many times himself. At the moment the narrator kills the old man, as well as the moment when he confesses the crime, he thinks he hears the beating of the old man’s heart; however, of course, what he hears is the beating of his own heart. When the police question him about the old man’s scream in the night, he says it was his own in a bad dream.
The narrator makes several references to time. The beating of the old man’s heart sounds like the ticking of a watch wrapped in cotton; the old man is said to listen to death watches (a kind of beetle that makes a ticking sound) in the wall; time seems to slow down and almost stop when he sticks his head in the old man’s chamber. To understand this obsession with time and its association with the beating of a heart, the reader must relate it to the title and ask, what tale does a heart tell? The answer is that the tale every heart tells is that of time—time inevitably passing, every beat of one’s heart bringing one closer to death. As in many other Poe stories, “The Tell-Tale Heart” suggests that when one becomes aware of the ultimate destiny of all living things—that humans are born only to die—time becomes the enemy that must be defeated at all costs.
By connecting the repeated theme of the narrator’s identification with the old man to the obsession with the eye, the reader can conclude that what the narrator wishes to destroy is not the eye but that which sounds like “eye” (after all, he says that his sense of sound especially has been heightened). That is, the word “eye” sounds like the word “I,” the self. This connection relates in turn to the theme of time. The only way one can escape the inevitability of time is to destroy that which time would destroy—the self. However, to save the self from time by destroying the self is a paradox that the narrator can only deal with by displacing his need to destroy himself (the I) to a need to destroy the eye of the old man. By destroying the old man’s eye, the narrator indirectly does succeed in destroying himself—ultimately by exposing himself as a murderer. Of course, one could say, this is madness; indeed it is. However, it is madness and motivation with meaning, a meaning that Poe wishes us to discover by careful reading of the story.
One of Poe’s major contributions to the development of the short story was his conception of plot not merely as a series of events, one thing after another, but as the calculated organization of all those details in the story that relate to and revolve around a central theme. It is no wonder that his own obsession with this aesthetic principle would lead him to create that great “reader” of hidden plot or pattern, Auguste Dupin, who would later become the model for Sir Arthur Conan Doyle’s great detective Sherlock Holmes. “The Tell-Tale Heart” is indeed a murder mystery in which the narrator concocts a plot to kill the old man. However, the real plot of the story is Poe’s elaborate pattern of psychological obsession and displacement, as one man tries to accomplish what all human beings wish to do—defeat the ticking of the clock that marks one’s inevitable movement toward death.